The video explores the life of Chigusa Peters who is a new Japanese immigrant to London, Ontario and also a mother of three daughters. During the interview, Chigusa first talks about her own identity and the difficulties she encountered in adapting to Canadian culture. She also discusses the differences between life in Canada and life in Japan. In the hopes of passing on Japanese traditions to her daughters, she takes them to karate classes every Monday and Wednesday, and to the Japanese language school every Saturday morning. The video ends with her talking about which aspects of Japanese culture she hopes her kids will be able to learn through these activities.
I Am Not Just "The Girl From Bolivia": An International Student’s Experiences of Community in Bolivia and LondonThis portrait delves into Maya Fernandez's story of being known as “the girl from Bolivia." The portrait illustrates Maya’s feelings towards this phrase and how her experiences “as an outsider” have impacted her experiences in the London community. Maya is a second year MIT international student at Western University who explores the certain interactions that she has faced. She then compares how relationships are developed in both Bolivia and London. She explains the social inequalities that she has observed, the stereotypes of being from another country, and what it’s like to be “an outsider" in London, Ontario. Overall, this portrait thoroughly describes Maya for the complex and unique being that she is, rather than just as “the girl from Bolivia.”
In this portrait, Keiko Yano talks about the different aspects of the Japanese culture being adapted to Canada such as Girl’s Day and tea ceremony. She explains her participation in the community and her wish to keep the culture alive within her daughters. Keiko’s daughter, Erika, then briefly explains why she continues to learn the Japanese language. After that Keiko’s husband, Chris, describes the significance of Buddhism practices to him and discusses the activeness of the Japanese community in London. The portrait then ends with Keiko expressing her renewal of self and deeper appreciation in the Japanese culture by coming to Canada.